Essential
Skills/Concepts Related to RL 6.10
Drama/Play
Drama
is one of those neat words that can be used in several different ways. It can
be used to describe a certain type of play or movie where lots of stuff
happens.
The
word drama comes from a Greek word that means “action”. When there is action,
something happens! For example, someone breaks their leg, two people get
married or a baby is born. This action creates tension and excitement over what
will happen next and help to make the story (and life!) dramatic or full of
drama.
Drama is
intended to reflect human behavior and action in the midst of crisis and
everyday life. Several genres exist within drama, each with their own
storytelling methods, character types and dramatic approach. There are four main genres of drama: the
tragedy, comedy, melodrama and tragicomedy. Understanding the
characteristics of these genres creates a basic understanding of the influences
and types of theater being produced today.
Tragedy
The tragedy deals with a serious action in which the consequences
are of great magnitude to the characters involved. This genre tells the story
through action instead of through narrative. It often deals with profound
problems that are universal to the human experience. The tragic hero, or
protagonist, of the drama often has one tragic flaw that causes his undoing,
usually hubris, or too much pride. The protagonist realizes the severity of the
flaw too late, which leads to inevitable downfall. A tragedy's action is meant
to fill the audience with fear and pity while the action takes place; however,
at the conclusion of the action the audience is meant to leave the theater
uplifted and enlightened about the drama's unfolded events.
Comedy
Comedy represents the
sense of renewal and rebirth, which is why this genre traditionally ends in a
wedding and the expectation of a future generation. The pain and pity projected
by a tragedy is replaced with absurdity and mass intellect in comedy.
Characters behave in comic and absurd ways, serving as a mirror for society
that encourages corrective behaviors. Romantic comedies point out the
absurdities people perform when in love, which usually lead to unsuspecting
unions. Dark comedies, on the other hand, leave the audience with a grim truth
that's presented in humorous, playful seriousness.
Melodrama
In a melodrama the
tragedy or problem is caused by external forces outside of the protagonist's
control. It sets itself apart from tragedy because the protagonist does not
take responsibility for the action, nor does she feel guilty. In fact, the
protagonist is often the victim of circumstance. The melodrama has clearly
distinguished good and evil characters. These plays end with a strict moral
judgment that rewards the good and punishes evil in a fitting way.
Tragicomedy
The tragicomedy attempts
to portray characters and life in the most realistic way. Action, characters
and plot are not absolute, but nonjudgmental. A character changes his mind and
acts out of character, and the plot ends unpredictably. Tragicomedies are meant
to show complex dynamics of human relationships and that society is in a
constantly changing flux. As the name suggests, these plays present a thorough
mix of tragedy and comedy.
Example
of Drama/Play
A
HELPING HAND—OR TEETH!
Based
on a story by Aesop
SCENE 1 [forest area;
enter Mouse]
MOUSE: I’m famished! I’ll just
look for some tasty seeds to eat. [exit]
LION: [enter] Umm! That
was a gr-r-reat breakfast! [yawn] But now I’m exhausted. I think I’ll
take a nap. [lies down and snores softly]
Elements of Dramas/Plays include
the following:
·
Stage
Directions
·
Multiple
Characters
·
Dialogue
·
Narration
·
Movement
·
Stage
Performance
Essential
Skills/Concepts Related to RI 6.10
Literary
Nonfiction
A type
of prose that employs the literary techniques usually associated with fiction
or poetry to report on persons, places, and events in the real world.
The
genre of literary nonfiction (also known as creative nonfiction) is broad
enough to include travel writing, nature writing, science writing, sports
writing, biography, autobiography, memoir, the interview, and both the familiar
and personal essay.
Practical
Nonfiction vs. Literary Nonfiction
"Practical nonfiction is
designed to communicate information in circumstances where the quality of the
writing is not considered as important as the content. Practical nonfiction
appears mainly in popular magazines, newspaper Sunday supplements, feature
articles, and in self-help and how-to books. . . .
"Literary nonfiction puts
emphasis on the precise and skilled use of words and tone, and the assumption
that the reader is as intelligent as the writer. While information is included,
insight about that information, presented with some originality, may predominate.
Sometimes the subject of literary nonfiction may not at the onset be of great
interest to the reader, but the character of the writing may lure the reader
into that subject.
"Literary nonfiction appears
in books, in some general magazines such as The New Yorker, Harper's, the
Atlantic, Commentary, the New York Review of Books, in many so-called little or
small-circulation magazines, in a few newspapers regularly and in some other
newspapers from time to time, occasionally in a Sunday supplement, and in book
review media."
Extension
Activity for RL 6.10
·
Turn
one of the scenes from The Absolute Value of Mike into a Drama/Play.
o
Be
sure to include: stage directions, dialogue, movement, multiple characters
·
Complete
the Reading Strategies Checklist (in the folder)
Extension
Activity for RI 6.10
·
Complete
the Three-Column Notes Graphic Organizer after reading the article (in your
folder).
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